Helen's Scars: A Review of Nolan's Odyssey
DOI:
https://doi.org/10.15353/et.v2i1.7372Keywords:
Homer, Nolan's Odyssey, ReviewAbstract
I have watched many film and TV Trojan War adaptations, and part of my enjoyment is seeing how other creatives interpret, reinterpret, and adapt the ancient Trojan War stories for the screen. In the context of a polarised society, it is unsurprising how much online discourse has surrounded Nolan’s version of the tales of Odysseus, from the casting decisions and costume design to the script and storytelling techniques, and much more. I am not here to address the controversies or exhausting extreme views spouted about how or how not to adapt Homer’s Odyssey, mostly because of the hypocrisy and double standards demonstrated so clearly. After all, Uberto Pasolini’s The Return (2024) did not garner half as much attention, likely because of the simple matter of Nolan being more famous. This review is concerned with the enjoyment of cinematic experiences and Nolan’s storytelling style. To put it another way, why are we here, and why is this worth talking about?
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Copyright (c) 2026 Dr Abigail C. Spanner

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