Homer and Nolan as Storytellers

Authors

  • Michael Mammarella Sapienza Università di Roma

DOI:

https://doi.org/10.15353/et.v2i1.7360

Keywords:

Nolan's Odyssey, Review, Homer

Abstract

Nolan's Odyssey is distinctively his own. While preserving its basic plot, the film differs from Homer’s epic at many points, often reaching beyond its source material to redevelop characters and explore new issues. It is not simply Homer’s Odyssey transferred into another medium, but an artistic creation in its own right by one of modern cinema’s most celebrated filmmakers. Throughout the film Nolan is in dialogue with Homer and his various interpreters from Vergil to Tennyson, though continuously guided by the necessities of the modern medium in which he works and his own artistic priorities.

Author Biography

Michael Mammarella, Sapienza Università di Roma

Michael Mammarella is a second-year undergraduate student in the Classics program at Sapienza Università di Roma. His interests include Ancient Greek language and literature, as well as Ancient Greek history, particularly the development of Athenian democracy, Athenian hegemony in the period between the Persian and Peloponnesian Wars, and third-century Greece.

Text reading "Homer Review Contest Award"

Published

10.09.2026