Urban Alienation in Wong Kar Wai's Films

Authors

  • Ethel Chong

DOI:

https://doi.org/10.15353/kinema.vi.1047

Abstract

IN THE MOOD FOR LOVE: URBAN ALIENATION IN WONG KAR WAI'S FILMS They say that love can change a man. I start to find myself looking better and more charming, and suddenly I discover that I'm turning blonde. (Qiwu in Fallen Angels) The four films which I am going to discuss are Days of Being Wild (1991), Chungking Express (1994), Fallen Angels (1995), and Happy Together (1997). These four films were directed by Hong Kong director, Wong Kar Wai, who wowed the critics at Cannes 2000 with In the Mood for Love (2000). Wong has been hailed as the definitive Hong Kong arthouse director. His postmodern themes and filming techniques focus mainly on the anxiety within modern urban living. His films do not provide an answer to the anxiety, nor tell the audience how to deal with the anxiety. In a nutshell, Wong's films are about our postmodern human...

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Published

2003-04-10

Issue

Section

Features