Mazierska's and Rascaroli's From Moscow to Madrid is a fascinating experiment in imaginary cartography, which explores the representation of cities in contemporary European cinema while drawing freely on film history, sociology, politics and cultural studies. The authors choose the postmodern discourse as a theoretical framework to analyze the complex psyche of modern European cities as it is filtered through the cinematic medium. Their cities are postmodern spectacles testifying to the death of God, to the collapse of any overarching and unifying myths and ideologies and to the ensuing fragmentation and diversification. Although the authors are fascinated by the scale of social, economic and political changes which orchestrated the shift from modern to postmodern city, they do not celebrate it but rather count the losses in sensibilities and examine the cracks in ideologies. What strikes in their account is sadness and nostalgia for some lost city which no longer has place...
