Gönül Dönmez-Colin's book, Women, Islam and Cinema, comes not a day too soon. At a time when controversies rage over the wearing of the veil in school, reality seems to be catching up with fiction. Dönmez-Colin speaks of the insidious and conservative ways in which cinema in many Islamic countries has portrayed women. Her sweep is large: she covers India, Pakistan, Bangladesh, Malaysia, Indonesia, Iran, Turkey, Kazakhstan and Uzbekistan and draws careful analogies and contradictions that exist within and among these countries. Inevitably, cinema's depiction of women as actresses, directors and spectators grows out of the prevailing social and political atmosphere: stifling patriarchy and female subordination....
