Jim Jarmusch’s Aesthetics of Sampling
AbstractJIM JARMUSCH'S AESTHETICS OF SAMPLING IN GHOST DOG - THE WAY OF THE SAMURAI ICE Cube's "Gangsta's Fairytale" (1990), Tupac Shakur and Snoop Dogg's "2 of Amerikaz Most Wanted" (1996), 50 Cent's "What Up Gangsta" (2003): from the end of the 1980s, in countless raps,(1) the gangster persona has inspired a host of MCs, who since then have adopted - and adapted - an imagery and themes the American film industry started dealing with sixty years earlier.(2) However, this cross-fertilization can work the other way round too. A director like Jim Jarmusch has chosen to invigorate Ghost Dog - The Way of the Samurai not only with the charismatic power of the black gangster, but also with a particularly rich intertextual network and an aesthetics of sampling clearly reminiscent of that taken up by rap artists since the end of the 1970s. Indeed, rap music's dominant feature...