The Cinema of Katinka Heyns

Abstract

THE CINEMA OF KATINKA HEYNSIn the 119-year history of South African cinema only two books have been devoted to South African film directors: Martin Botha and Hubert Dethier’s Kronieken van Zuid-Afrika: de films van Manie van Rensburg (1997) and Martin Botha’s Jans Rautenbach: Dromer, Baanbreker en Auteur (2006).(1) In general the artistic achievements of film directors received little scholarly attention. Attempts to rework the history of South African cinema such as Isabel Balseiro and Ntongela Masilela’s edited volume, To Change Reels: Film and Film Culture in South Africa (2003) as well as Jacqueline Maingard’s South African National Cinema (2007), devoted entire chapters to the ideological analysis of films such as De Voortrekkers (1916), Cry, the Beloved Country (1951) and Come Back, Africa (1959), but in the process they ignored the significant oeuvres of directors such as Ross Devenish, Manie van Rensburg, Jans Rautenbach, Katinka Heyns, Darrell Roodt...