Canadian Films: What Are We to Make of Them?

Authors

  • Gerald Pratley

DOI:

https://doi.org/10.15353/kinema.vi.881

Abstract

This technically fine picture was shot in British Columbia, but care seems to have been taken to eradicate any sign of Canadian identity in the story's setting, which is simply generic North American.       Film critic Derek Elley in his review of Mina Shum's Drive,       She Said in Variety, Dec. 22, 1997. NO MATTER to what segment of society individuals may belong within the public at large most of those interested in the arts are contemplating what to make of Canadian cinema. Among indigent artists, out-of-work actors, struggling writers, publishers and bookshop proprietors, theatregoers and movie enthusiasts, the question being asked is, what do we expect from Canadian movies? The puzzle begins when audiences, after being subjected to a barrage of media publicity and a frenzy of flag waving, which would have us believe that Canadian movies and tv programmes are among the best in the world, discover...

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Published

1998-04-10

Issue

Section

Features